Pianist Eldar Djangirov Achieves a Career Breakthrough with New Jazz Trio, Solo Classical Releases "...a genius beyond most young people I’ve heard"

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Pianist Eldar Djangirov Achieves a Career Breakthrough with New Jazz Trio, Solo Classical Releases

Eldar | Breakthrough

"...a genius beyond most young people I’ve heard"
-- Dave Brubeck

Few artists could record two CDs over the course of only one week in different musical genres, with disparate personnel, and at separate studios. Yet New York City-based pianist Eldar Djangirov proves musically ambidextrous on two new self-produced recordings for Motéma Music.

Breakthrough, recorded at Avatar Studios in New York City, releases April 9. Like the 26-year-old's 2009 disc Virtue, it features bassist Armando Gola and drummer Ludwig Afonso, and alternately reinforces how powerful and poignant a jazz trio can be.

Captured live in the studio, Breakthrough exudes compositional brilliance, improvisation and interplay. The trio pushes the envelope on Eldar's "Point of View Redux," and features guest vibraphonist Joe Locke on the pianist's dizzying "Blink" and saxophonist Chris Potter on his layered title track. Eldar's arrangements of Irving Berlin's ballad "What'll I Do" and the whimsical Redd Evans/David Mann composition "No Moon at All" feature electric bassist Gola switching to an acoustic upright instrument, playing evocative lines as Afonso eschews drumsticks to provide stirring brushwork. There's even a telekinetic cover of British pop band Radiohead's "Morning Bell."

"There's a connection within this trio," Eldar says. "It feels like we're all playing one single instrument."

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Watch Eldar perform "Point of View" off 'Breakthrough'

Eldar - Bach:Brahms:Prokofiev

Bach/Brahms/Prokofiev, recorded solo at Manhattan Center Studios and available May 14, expands upon the interspersed classical pieces from Eldar's 2011 solo piano debut [i]Three Stories[i] with fervor and finesse.

Chronological, it captures Bach's 1720s playfulness on "Partita #2 in C minor, BWV 826" and Brahms' 1870s harmony on "Eight Piano Pieces, Op. 76." Eldar, a native of the former Soviet Union, further showcases his roots through Prokofiev's "Sonata #7 in Bb major, Op. 83" from the 1940s.

These two new recordings illustrate a combination of musical logic and abandon that is singularly Eldar -- and mark a major breakthrough by this rising piano star.

UPCOMING SHOWS

Feb 23 - The Philippine International Jazz and Arts Festival
Feb 25 - The Philippine International Jazz and Arts Festival
Mar 1 - Java Jazz Festival
Mar 2 - Java Jazz Festival
Mar 5 - Cotton Club Tokyo
Mar 6 - Cotton Club Tokyo
Mar 7 - Cotton Club Tokyo
Apr 12 - Berks Jazz Fest
May 3 - Ventura Music Festival
May 24 - Festival Musique de Chambre Montreal

What critics are saying about Eldar Djangirov:

“Djangirov’s playing is, simply, flawless.” -- Jeff Tamarkin, All Music Guide

“…One of the finest jazz pianists of his generation.” -- CMJ Magazine

“...his command of the instrument is beyond staggering.” -- Bob Doershuk, Downbeat

“...Eldar rolls his broad musical vocabulary into one logical package...” -- Andrea Canter, JazzTimes

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