UPCOMING EXHIBITION Pouran Jinchi The Blind Owl September 18 - October 24, 2013 Pouran Jinchi returns to The Third Line with her third solo show,

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UPCOMING EXHIBITION

Pouran Jinchi

The Blind Owl

September 18 - October 24, 2013

PJ Black-Painting-(The-Blind-Owl-Series) 2013 -Ink-on-Canvas 152.4-x-122-cm

Pouran Jinchi, Black Painting (The Blind Owl Series), 2013, Ink on Canvas, 152.4 x 122 cm

Pouran Jinchi returns to The Third Line with her third solo show, The Blind Owl, continuing her investigation into deconstructing calligraphy and looking into the deeper complexities of the written word. The artist explores the physical form and its signified insinuations through the lens of the dark narratives of The Blind Owl, a major literary work by Iranian author Sadegh Hedayat.

This publication, penned in the late 1930s, explores a grim fascination with death and for the most part was banned in Iran. It was this polemic around the book that aroused curiosity in Pouran’s youth, and has been a source of inspiration for her work. “I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it” - Pouran uses Hedayat’s quote as a point of departure for exploring various media such as intricate drawings on paper and paintings, as well as sculptures in copper and plexiglass, to deliver her experience of the confessional narrative.

In this new body of work, Pouran interprets the Iranian tradition of calligraphy and Islamic geometry through the lens of contemporary aesthetics and focuses on the weight of letters, phrases and quotes to convey her own narrative. As with previous works where she drew inspiration from seminal text works like the Quran and the Cyrus Cylinder (ancient Persian text based artifact), The Blind Owl is an example of how Pouran uses literature to inform her practice. By using abstraction and repetitive patterning, she provides a visual experience that is left to the individual interpretation of the viewer.

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Pouran Jinchi is an Iranian-born, New York based artist whose works are represented in prominent institutional collections such as The Metropolitan Museum, New York; The Museum of Fine Arts Houston; Herbert F. Johnson Museum of Art, NY; Brooklyn Museum, NY; Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC; and Federal Reserve Bank, NY; and most recently the Pratt Institute in New York.

UPCOMING PROJECT SPACE

NA Fountain 2012 Oil on canvas 55.88 x 60.96 cm 650

Nadia Ayari, Fountain, 2012, Oil on canvas, 55.88 x 60.96 cm

Nadia Ayari

The Fountain and the Fig

September 18 - October 24, 2013

The Third Line is pleased to introduce New York based artist Nadia Ayari, with her exhibition The Fountain and The Fig opening in the Project Space. Nadia works with densely painted surfaces, where stark contrasting colours form hyper-natural imagery, provide strong allegories of the sensual and the violent.

For this Project, Nadia’s predominant aesthetic concerns remain with rendering conceptual narratives, whereby the act of painting becomes an important tool in the dialogue. By using heavily conventionalized symbols such as the fig and the tree, she influences the imagery to acquire an element of myth-like storytelling. The densely painted surfaces take on a sculptural quality as Nadia works layer upon layer to construct the visual, subtly manipulating the thick paint to set along the grain of the folded leaf and the curve of the over-ripened fruit.

The exhibit includes five abstracted flora-themed paintings that follow a singular strain. The visuals are dreamlike and surreal – blood red rain covers deep purple figs that spout out leafy tongues from their burning red crevices. As is suggestive in their titles Tongue, Splitting, Pouring, Spit and Fountain there is a violence and raw carnality that intermingle to create a macabre vision. Also part of the show are ink on paper drawings. These studies of a rose, a tree and a fig isolate emblematic elements that are present in the paintings – however, wholly opposite in their execution, they present a more whimsical side of the world the artist is depicting.

THE THIRD LINE ARTISTS

Never Give Up the Fruit

Slavs and Tatars, Never Give Up the Fruit, 2012, Hand-blown glass bulbs with fixtures, canvas cables, wooden beams, 280 x 135 x 200 cm

Slavs and Tatars

NOUVELLES VAGUES | Palais de Tokyo | June 21 - September 9, 2013

Palais de Tokyo, along with thirty galleries and art spaces throughout Paris, innovates once more to emphasize the emergence of the figure of the curator. At Palais de Tokyo, “Nouvelles vagues” (New Waves) is a large-scale event organized by 21 international young curators (hailing from 13 different countries), working individually or in groups, and selected by a jury from over 500 candidates. Curated by Adnan Yildiz, Slavs and Tatars are included in the group section titled 'A History of Inspiration' which is a conceptual attempt to investigate the epistemological relationships between two spaces of imagination, sky and screen, via two image references separated by five centuries: a 16th century miniature and a Microsoft wallpaper. By bringing them together, the exhibition promises to develop a methodological approach to the phenomena of curiosity and imagination, and in particular how our conception of the future can be seen as a history of inspiration.

Museum Off Museum | Bielefeld Kunstverein | September 7 – November 3, 2013

The Bielefelder Kunstverein presents a two-part exhibition titled Museum Off Museum. The exhibitions together with its accompanying programme, has devoted itself to the current interest among artists in the "museum" as a concept for reflection and space of opportunity within changing global circumstances. The exhibition provides examples of seven contemporary artistic positions that broach and extend the issue of central principles in museums´ practice, such as collecting, ordering, presenting and mediating.

YN Self-portrait With The Sunset  Rio De Janeiro 2005 Hand coloured gelatin print 650

Youssef Nabil, Self-portrait with the Sunset, Rio de Janeiro, 2005

Youssef Nabil

Matisse à Nice , Palm Trees, Palms and Palmettes | MUSÉE MASSENA, Nice, France | June 21 - September 23, 2013

After his trip to Saint-Tropez in 1904, Matisse’s painting was full of azure blue themes. They were structured around three principal elements: the window, opened to the outside, the shutters which were often associated with it, and the palm tree. In the wake of Matisse, other painters, starting with Picasso, Bonnard and Dufy succumb to the influence of the Mediterranean and incorporate into their paintings the now inescapable palm tree.

On the occasion of the fiftieth anniversary of its Musée Matisse, the City of Nice presents, for the first time, eight simultaneous exhibitions in homage to Henri Matisse and his work. Aside from works by Matisse, Youssef Nabil is showing alongside artists like Picasso, Duffy, Bonard, and contemporaries like Bill Viola in PALM TREES, PALMS AND PALMETTES.

HK Icosahedron 2013 Nelson Atkins Museum 13

Hayv Kahraman, Icosahedron, 2013, Maple and aluminum brackets, 216 x 216 x 216 cm

Hayv Kahraman

Echoes: Islamic Art and Contemporary Artists | Nelson-Atkins Museum | August 31, 2013 - March 30, 2014

What is Islamic Art? How do contemporary artists respond to Islamic art and culture in their own work? This exhibition will explore these questions through a series of visual conversations that make connections across cultures, geography and time.

The installation will juxtapose historical objects and architecture with works by contemporary artists that employ traditional Islamic styles, materials and subject matter as their source. The artistic achievements of traditional Islamic art will be represented by works in the Nelson-Atkins permanent collection, including examples of calligraphy, ceramics, paintings, carpets and architectural forms.

Echoes is part of a city–wide collaborative project focusing on Islamic art and culture, featuring exhibitions, artists' residencies and public programming at The Nelson-Atkins Museum of Art, the Kansas City Artists Coalition, and the Kansas City Public Library.

HH Joe Casely-Hayford 2012 Metallic lambda print on dibond with wood   plastic mat frame 136x101cm 650

Hassan Hajjaj, Joe Casely-Hayford, 2012, Metallic lambda print on dibond with wood & plastic mat frame, 136 x 101 cm

Hassan Hajjaj

My Rock Stars: Volume 1 | VCUQatar Gallery, Doha | September 4 - October 24, 2013, Opening: 6PM

My Rock Stars: Volume 1 by acclaimed artist/photographer Hassan Hajjaj pays homage to traditional African portraiture, while celebrating present-day pop stars, unsung artists and personal inspirations in Hajjaj’s life.

The show first opened at The Third Line, Dubai in September 2012, is now exhibiting at the Virginia Commonwealth University in Qatar.

MSF  Untitled  1977

Monir Shahroudy Farmanfarmaian, Untitled, 1977, Mirror, reverse glass painting and plaster on wood, 105.4 x 105.4 cm

Monir Shahroudy Farmanfarmaian

Iran Modern | Asia Society, New York | September 6, 2013 - January 5, 2014

Asia Society is organizing a landmark exhibition, Iran Modern, that will focus on Iranian art created during the three decades leading up to the revolution of 1979. Asia Society’s aim is to shed light on a period when Iranian artists were engaged with the world through the Tehran Biennial in Iran as well as exhibitions overseas, and when their work was collected by institutions inside and outside of Iran. The exhibition maps the genesis of Iranian modernism in order to argue that the development of modernist art is inherently more globally interconnected than previously understood.

The first major U.S. international loan exhibition on the subject, Iran Modern comprises over 100 paintings, sculpture, photography, and works on paper by the most noteworthy Iranian artists of the 1950s to 1970s, and provides a dynamic perspective on Iran’s rich culture and history for the public.

Cylindr Final warm

Ala Ebtekar, cylindr.us, Collage, 2013

Ala Ebtekar

CYLINDR.US | Evenings, and part of Artists Drawing Club | Asian Art Museum, San Francisco| September 12, 2013

Artist Ala Ebtekar will work with a number of collaborators to present Cylindr.us, a night of events surrounding the exhibition The Cyrus Cylinder and Ancient Persia: A New Beginning.

Cylindr.us is a project in seven movements, each exploring another facet of the exhibition. The night examines why, more than 2,500 years after the Cyrus Cylinder’s creation, the object remains so culturally significant, and how the legendary figure Cyrus the Great holds such strong influence on ideas about modern civilization. The project finds inspiration from the collaboration between the artist and Bay Area students.

The Silent Peak

Amir H. Fallah, The Silent Peak, 2013, acrylic, colored pencil and collage on paper mounted to panel, 61 x 61 x 61 cm

Amir H. Fallah

Sense and Sensibility I Mt. San Antonio College Art Gallery, 1100 N. Grand Ave., Walnut, Ca 91789 | September 12 - October 17, 2013

This exhibition puts in focus the multi-faceted and versatile role of artists today (whether critics, curators, professors, teachers, dealers, consultants, or exhibition designers). The theme was driven further by the fact that such dual commitments to art are not always known to the wider public. Sense and Sensibility I (part one of a two part exhibition) draws its inspiration from, and opens communication about, today's "art professionals" and their commitments to their artistic communities, in order to build awareness of their public roles in society.

PHOTOQUAI TAG (In) Consideration of Myths No966 2012 Digital print on archival paper 60x90cm 650

Tarek Al-Ghoussein, (In) Consideration of Myths, No. 966, 2012, Digital print on archival paper, 60 x 90 cm

Tarek Al-Ghoussein

PHOTOQUAI 2013 - 4th Photography Biennale | Quai Branly, Paris, France | September 17 - November 17, 2013

For its 4th edition, the Photoquai photography biennale is settling on the banks of the Seine, in the garden of the musée du quai Branly, to present the unpublished works of 40 non-European photographers. This year, all the images presented relate to the human figure: landscapes, objects, fashion or architecture appear in the form of elements that accompany the human being.

SH Sulook 2012 Steel  UV Colour and Black Light 650 5

Sahand Hesamiyan, Sulook, 2012, Steel, UV Colour and Black Light

Tarek Al-Ghoussein, Monir Shahroudy Farmanfarmaian, Babak Golkar, Sahand Hesamiyan

The Blue Route | Villa Empain, Brussels | September 27, 2013 - February 9, 2014

This exhibition follows the traces of the Silk Road through the colour blue which, for many centuries, has inspired artists, craftsmen and poets, in East and West alike.

From the Mediterranean to China, this imaginary journey will involve the indigo of textiles, the blue ceramics of the Ottoman Empire and Central Asia, turquoise, lapis-lazuli and sapphire sculpture and jewellery, and paintings and miniatures, culminating in the famous China blue.

study for a blue shield paintingsmall

Abbas Akhavan, Study for a Blue Shield, 2011, Gallery drywall painted in blue and cut, 300 x 200 cm

Abbas Akhavan

4th Athens Biennial | Former Athens Stock Exchange, 8-10 Sofokleous st. | September 29 – December 1, 2013. Preview: September 28

The Athens Biennale functions within an international network of large-scale periodic contemporary art events. It emerged from the intense cultural activity that makes Athens one of the most interesting places for contemporary art, and it aims to be an agent of constant change and innovation, provide a context for creativity and dialogue and constitute a wide platform for the designation and the critical engagement of local artistic production, as well as a forum of discussion and exchange with the international scene.

Ten Thousand Suns | Satellite gallery | September 13 - October 26, 2013

Ten Thousand Suns features works in sculpture, audio, video and performance by Rebecca Belmore, Tanya Tagaq, Luke Parnell, Guadalupe Martinez, Abbas Akhavan, Jamie Look, Ali Ahadi, Erin Siddall, Carlos Colín and Brianne Nord-Stewart. These artists investigate our past and present relationships to resource extraction, the body and land.

The exhibition brings together contemporary artists from British Columbia, the Northwest Territories, Nunavut, Ontario, Argentina, Iran and Mexico. Exploring effacement, memory and remembering this exhibition will consider the layered interconnections of policy with respect to resource-based development projects in Canada and globally, modern technology and artistic practice.

ONGOING EXHIBITIONS

Pouran Jinchi
Le Théorème de Néfertiti (Tea with Nefertiti) | The journey of an art work: the making of an icon | Institut du Monde Arabe, Paris | Curated by: Sam Bardouil and Till Fellrath | April 23 – September 8

Arwa Abouon
Cross-border: Contemporary Female Artists from the Arabian Mediterranean Region | ZKM Museum of Contemporary Art, Karlsruhe | April 27 - September 8

Huda Lutfi, Joana Hadjithomas & Khalil Joreige
Terms & Conditions | Singapore Art Museum | Co-organised by SAM and Barjeel Art Foundation, guest curated by Mandy Merzaban | June 28 - September 8

Farhad Moshiri, Tarek Al-Ghoussein, Youssef Nabil
Safar/Voyage | Museum of Anthropology, Vancouver, Canada | April 20 – September 15

Youssef Nabil
25 Years of Arab Creativity | National Museum of Manama Bahrain | In collaboration with Institut du Monde Arabe | July 7 - September 15

Sophia Al-Maria
do it 2013 | Produced by Manchester International Festival and Manchester Art Gallery, in collaboration with Independent Curators International (ICI), New York | Manchester Art Gallery, Manchester | July 5 - September 22

Ala Ebtekar
Migrating Identities | Downstairs Galleries, YBCA, San Francisco | June 28 – September 29

Laleh Khorramian
On Air Festival, Ikono TV | September 6 - 29

Ala Ebtekar, Ebtisam Abdulaziz, Hayv Kahraman
The Beginning of Thinking | Maraya Art Centre, Sharjah | Curated by Sara Raza | July 17 – September 30

Tarek Al-Ghoussein
National Pavilion of Kuwait at the 55th International Art Exhibition – la Biennale di Venezia (First official participation) | Biennale: June 1 - November 24

Slavs and Tatars, Farhad Moshiri
Love Me, Love Me Not: Contemporary Art from Azerbaijan and its Neighbours | Tesa 100, Arsenale Nord, at The 55th International Art Exhibition – la Biennale di Venezia | June 1 - November 24

Slavs and Tatars
In the Heart of the Country | The Collection of the Museum of Modern Art in Warsaw | May 14, 2013 – January 6, 2014

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